Before I turned in my fourth draft to my tutors and to my cohort I was relatively pleased with how my script was shaping up; the advice I took on board from the feedback I got previously helped immensely I was writing this draft. People liked the visual link of John West’s hat to signify the passage of time between younger William and older William, they consistently praised the dialogue scene between Tessa and Sally and they commented on how well the dialogue was written as well as how visual my script was written, helping them to visualise the story and the setting clearly.
The only contstructive criticism I got around this time was that the end torture scene between Walters and Dick didn’t fit with how I wrote the previous scene between Dick and Jenkins. In that scene, Jenkins kills Albert (Dick’s father) and leaves Dick for dead with a gunshot wound. Thus, this raised the question why in the next scene between Walters and Dick when Walters is torturing him for information, why he doesn’t divulge the whereabouts of Jenkins to Walters sooner as he owed Jenkins nothing, and in fact should resent him. This made sense to me, as I didn’t notice how by including how the person who is getting tortured by Walters to appear in an earlier scene with Jenkins to determine how he knew where Jenkins was, I overlooked how important it is that these two scenes need to link coherently not just for plot reasons but for narrative reasons also.
As a result I’m considering on how I should approach rewriting the earlier scene between Jenkins and Dick to fit with Walter’s torture scene with Dick or vice versa.
Other notes of feedback consisted of not feeling enough flirty banter between Tessa and Sally and the notion on whether or not I could do more with the antique cutlass in the bank robbery scene with Patrick, Miriam and George Jenkins. At this stage I’m more inclined to take the feedback for the latter on board rather than then former. I feel that it would be dramatically unrewarding in the long run if I hint too heavy handedly at a possible romantic relationship between both Tessa and Sally in their first encounter. Reading it through, I think this scene plays more dramatically interesting because the homoerotic undertones are subtle and not too heavy handed.
However on the whole, I think this round of feedback has greatly encouraged me in my personal development as a writer as I feel that I am finally beginning to grasp the fundamental skills and aptitude toward becoming a professional screenwriter. I look forward to writing out my fifth draft with this newfound confidence.